GRIMM Scoop: David Giuntoli Previews What’s Next Big Wrinkle in the Nick/Juliette Romance and the 2nd Season Finale

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As if having your fiancé fall under a sleeping spell and then awaken in love with someone else was not enough of a challenge in the Nick and Juliette romance, the latest temptation will be in the form of a Wesen muse who tries to enslave Nick.  The path to true love is never easy, but it is always worth it.  Let’s just hope that the writers of GRIMM do not tread any heavier on our already taxed romantic hearts.  In a recent press conference call, star David Giuntoli provided some candid thoughts about what is upcoming for Nick and Juliette as well as a few more fun teasers about what is upcoming in the second season finale.

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With the muse coming in and Nick getting wrapped up with another woman even if it’s only for an episode in whatever way, is there’s going to be a point where he doesn’t want to wait for Juliette anymore. Or is he just kind of going to wait for her forever?
DAVID: I certainly hope he wouldn’t wait forever. I am personally more shocked at the point that she would be interested in him after all he’s done.  I mean truly cowardly moves on his as far as Juliette’s relationship is concerned. I wouldn’t tell her about any of this after she’d lost her mind, went into a coma, just really struggling with memory loss and like what is happening to her — going crazy. And I’m still sitting back like, “I don’t want to tell her. What if she leaves me?” So I hope we have to talk about things in a real way before we get back together.  I think Nick’s a guy who knows what he’s done to her and would probably do anything to get her back. So I think he’d wait for a long time.

What could possibly happen for the season finale of this season? A Nick and Juliette reunion? What about Adalind’s baby? Like maybe Nick’s mom will return? Is there anything you could tell us?
DAVID: All three of which are very much on the table. You could definitely see a Nick and Juliette reunion. And again, in GRIMM fashion they love tearing people apart and bringing them back together and who knows how hard they’re going to make that for Nick and Juliette. What you will be seeing that I haven’t spoken about yet is we deal with the undead in a way that’s really never been dealt – in a way that it’s never been approached before — in very typical GRIMM fashion.  So “zombies” will be coming to Portland. And I would also say the cliff hanger of this season is — I don’t know how the writers are going to get themselves out of this corner that they’ve painted themselves into — one of the cast may not live through the finale.

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Do you have a favorite scene or storyline in the episodes that is going to be coming our way in this last month?
DAVID: That’s going to be coming your way. Something about season two that I’ve really loved and going into season three that I’m going to continue to love is more and more of the main characters are in the know sort of speak, which means that certain characters can interact that wouldn’t have during much of season two, all of season one. And it brings a fresh, lovely dynamic to scenes where I’ll be in a room with say, like a completely new group of actors and watching them interact. And there’s comedy to be found in it when someone is learning the ropes of the GRIMM world for the first time. I really enjoy those scenes where we all get to spend the whole day together. I really do enjoy the moment of levity in the dark world of GRIMM, and there was a scene in particular that played in the Volcanalis episode where Russell Hornsby’s character Hank went on vacation. It was almost out of another show like an ALLY MCBEAL episode. But it was very fun. It was fun. And here’s a fun bit of info. That scene was written in reaction to Russell in real life snapping his Achilles tendon. So he can walk we had to somehow keep him in a chair and get him off of the show for two episodes so he can get surgery. Two episodes and then he’ll come back.

Did that injury cause a problem with the story line at all?
DAVID: No problem, really. We just a couple of things had to be tweaked. I’ll do a little more working with Wu, with Sergeant Wu, which was really fun and a pleasure to get to work so much with Reggie Lee. He is just a phenomenal actor. So it shook things up for a little while. But I think it was fresh and really wonderful. And Russell I think is fully repaired at this point.

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Were you surprised by the state of the Nick-Juliette-Renard relationships this season?
DAVID:  Nothing really surprises me on GRIMM. Our writers are not afraid to go anywhere. So nothing really surprises me. I want to speak especially to the relationship between the Captain and Nick. I wanted to make sure that even though we are working together I’m not too easy with him. I wouldn’t call it a friendship. I wouldn’t call us pals. We wouldn’t go out and eat together. I think we more or less have a common enemy. When I’m working with the Captain I always think about that picture from World War II where like Stalin and FDR were sitting next to each other with Churchill.  Like how did Stalin get there? But they just had a common enemy. And so we’re working tentatively together. He did after all try to kill my aunt. So as far as Juliette goes I think we’re going to be seeing us kind of patching things up — turning things around a bit. And I’m sure that in GRIMM fashion they’ll find some way to make that as difficult as humanly possible.

GRIMM has so many elements to it — drama, action, romance, fantasy — are there any of these that you enjoy performing in the most or do you appreciate the variety overall?
DAVID:  I do appreciate the variety. Though I will say it is a dark show, and I really love when we squeeze in some more comedic elements. And every now and then we’ll have a more comedic episode, like when we had a Ziegevolk lawyer charming the entire jury and Rosalee was on the jury and Sergeant Woo was testifying, and he changed his testimony. There were a lot of many great comedic moments in that. So I’d say the comedy is something I like squeezing in there.

Nick was temporarily blinded in the recent Mr. Sandman episode, what was it like acting without sight?
DAVID:  Well I could see. I had prosthetics in my eyes. I had lenses in my eyes. That was crazy. But I could see through them. I’d say really fun. It was fun finding new ways to sell especially fighting without seeing. And I was pretty happy with how it turned out. So all in all I was very pleased with the challenge of acting without sight.

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GRIMM did great on Friday and then was moved behind THE VOICE. Why do you think your show has worked when maybe some of the others haven’t?
DAVID: A successful television show is a mystery how to make it. But there has to be certain components. We have writers and creators who are seasoned and excited, and that’s a really great combination.  They know what they’re doing. They have found the sweet spot. David Greenwalt has this gallows humor about him as does Jim Kouf — our two main writers, executive producers. And they balance story well with a lot of darkness and a little bit of levity. And there’s some very lovable characters. And that’s what it takes. They just know their stuff.

Have you gotten any hints from David or Jim about kind of Nick’s heightened abilities?
DAVID:  I have not received any nuggets of what’s to come as far as Nick’s supernatural powers. At the end of season one I did get some info that they wanted to turn me more into a hero with supernatural abilities.  But I did not ask what they were. And I just kind of found out a month before the viewer did.  I would imagine going forward we’re going to revisit some of what we kind of teased with my super human hearing and ability to fight fruit with a bat.

What other character if you weren’t playing Nick would you like to play?
DAVID:  Monroe would be fun, but I wouldn’t even want to try that. Because I mean he’s mastered that whole thing. Some – yes, either Monroe or Wu.

Looking at season two have you found any new acting challenges with playing the Nick character? And how did you see Nick sort of grow and develop in season two also?
DAVID: Nick was written as a little more accepting of his role. In a way Nick went through the stages of grief of finding out that he was a Grimm and the loss that that would entail with Juliette, revisiting why his family is no longer with him.  a lot of lies had happened in his life systematically, and he found out about it all kind of at once. So he was denial, anger toward it, befuddlement. And finally I think he’s kind of accepted it, and throughout season two he’s owning it now. So it’s more fun to play — as far as I’m concerned — a very confident guy who’s coming into his own and becoming more of a force to be reckoned with in the Wesen world. So it’s been really fun to play that.

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Can you talk a little bit about the Nick-Monroe relationship, how you’ve seen that develop this season? And what maybe you enjoyed most about that relationship.
DAVID: I think Silas put it best. He said, “everybody has seen the cop and partner relationship, the detective and his wife or girlfriend relationship, the detective” – there are a lot of dynamics that have been played out and some really well and some not so good. But in our show we have the detective and this thing, which is Monroe. It’s a totally different thing. And it’s been such a pleasure to work with Silas and have this wonderful dynamic that plays out on screen. The writers have done a very good job with that. As far as the relationship and how it’s grown, I’d say we were always reluctant. We allied in the first season. But he could always turn into a creature, and I could always behead him. And this season we are more, I’ll just say friends.  He’s housing me in his attic for God’s sake. And I love the relationship he has now with Bree Turner, Rosalee.

How did Wesens recognize you as a Grimm? What’s a Grimm face look like to them?
DAVID: It looks like my face believe it or not. Truly. They don’t see anything aside  from they are not used to having their emotions in check. Because non- Grimm human beings cannot see them. And then when they see someone reacting to this or they sense someone knowing what they’re going through and watching them change, they’re on to me.  And they’ve learned from a young age through their storybooks about Grimms and how evil we are and almost like we’re this supernatural thing that may or may not exist. They’ve been told by their family, their parents, and their grandparents about us. So when that actually see them it’s like they’re seeing a ghost, but not literally. But they can’t believe that one actually really exists.

You hinted about Mary Elizabeth Mastrantonio coming back as your mother Kelly. So she’s been hanging around Portland a long time. What’s she up to?
DAVID: Well I think she stole a car at the station. And I think she was just pretending. She just didn’t have a train ticket because she’s like, “Why when I can just steal this car and go?” But I do believe she is dealing with the Collins right now. And I believe in the coming episode there’s communication with her.

Which GRIMM story has not yet been told that you are really pulling for that the writers tackle next season?
DAVID:  I actually don’t know. I feel like we’ve hit all the classics. And every time I see a new Grimm’s fairytale I’m almost learning about it as we go through the season. What I do really enjoy now about our show is the fact that we’re kind of straying from the Grimms fairytales. And remember in the lore of our show — in the world of GRIMM — there are only Grimm’s fairytales because they’ve been written about in a book. Now certain things that have not yet been explained maybe they just haven’t been written down yet. So I get to add to that book. And thus a phenomenon or a phenomena that is here to for unexplained gets written down in the Grimms fairytales, and it becomes a legend for kids to learn about forever.   In other words, we’re borrowing from a lot of lore that’s even outside the standard Grimm’s fairytales. And we are adding it to those Grimm’s fairytales.

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Looking forward to season three what would you like to see happen with your character — both professionally and personally?
DAVID: Well I’d like to see some resolve to the Juliette storyline.  I love working with Bitsie Tulloch and it’d be nice to be just a couple again. I want to get Sergeant Wu into the fray of the knowing. That would be really fun to work with him in the way that now Russell, Hank, and I can work together and Bree and Silas and the Captain. I would love to get Sergeant Wu into the fray.

Nick deals with a lot of gruesome scenes and gruesome things. Have any of those scenes every stayed with you?
DAVID: Oh god, yes. The horribly gross scenes. One of which when Monroe gouges out the eye of a fly person. I believe the person’s name was David Jinnamuru Xunte, which sounds like someone who’d be touring with Erykah Badu. But it’s the fly person. That scene stays with me. That was hideous.  Another scene that stayed with me was the season one episode maybe five where the rats are… and I remember just before we even shot I was on set and I walked by this car in a parking lot that I didn’t know had a corpse with rats pouring out of his mouth — into his stomach out of his mouth. That ruined me for a good , oh, 90 days. I couldn’t handle. It was so gross.  That was a very strange scene, absolutely life like reproduction, usually just completely dismembered on the ground after you just met them and had lunch with them. It’s so strange. The child in you does not know what’s real and what is not for a split second.

hat’s your favorite weapon that you’ve used, or what weapon are you looking forward to using?
DAVID: Sexist T.V. weapon has to be the cross bow. It’s just so cool. They do those shots that kind of pan up on the crossbow and then the eyes go right above it. But Nick really loves the – I believe it’s pronounced conobo or conabo, which is just a basically a baseball bat with spikes on it — nothing too technically fancy. But he loves it.

It was established that on the episode that La Llorona is not necessarily one of them. What do you think about this great idea of the writers about expanding the motility of the creators – the creatures of this show.
DAVID:   I really enjoyed that aspect of it. I think that it shows you in keeping up with the lore of Grimm the Grimms fairytales are just stories that have thus far been logged in these books. But they’re growing as the Grimms continue to discover more and more I suppose Wesen. And reasons behind phenomena that human beings make up stories to explain. The Grimms can then explain it in this book and try to put it out to the rest of the world. I really enjoy getting to borrow from other folklore legends that had not yet been in the Grimm books.

About working with Mary Elizabeth Mastrantonio. Can you just tell us a little bit about what it’s like to have here on the show? And who is on your personal wish list for potential guest stars in the future that you like to work with?
DAVID: Oh gosh. I can’t say that just because there’s so many. I wouldn’t want to offend the people – Mary Elizabeth Mastrantonio was wonderful to work with. And the episodes that she’s been in have been so work intensive, and she has such a wonderful you know ethic — work ethic. And she’s so fury, and she working with her I get caught watching her all of the time and almost forget that I’m in the scene. Because she’s so captivating and compelling and beautiful and just makes wonderful choices. And that’s what I think about her. I’ve really enjoyed the guest actors we’ve had thus far. And anybody’s who’s decided to come who can swing it we’ll love to have.

Are we ever going to see or hear anything about Grimms in the rest of the country, the rest of the world?
DAVID: Honestly, not as of yet that I know of. You would think that does have to do become a storyline at some point, or are there only a couple Grimms left and they’re just a lot of little Santa’s little helpers out there who are Grimm-like. I don’t quite know. The only Grimm that they really currently want to deal with is me. Because they know that I have one of the keys. Whereas you know as far as the Royals are concerned they know I have one of the keys. And that’s why they even care about me at all. So who knows?

Can you share a little more depth of some broad strokes about some of the plot lines for the remainder of this season?
DAVID:  Absolutely. Nick and Juliette start patching things up. And it’s looking very hopeful for us come the end of the season. A Level 10 — as I like to call it — Wesen comes to Portland who is pulling the strings controlling a lot of other types of Wesen. We can call them the undead.  And he has an army of people under his control that wreak havoc. And this is a longer story arc. We’ll be visited by an actor named Reg E. Cathey. He’s a wonderful actor who’s just been in HOUSE OF CARDS, and he’s been in everything. And he’s great. And he plays this kind of powerful Wesen that we will be introduced to in the next couple of episodes. The Royals get closer and closer to me. They come to Portland, and they want the key. And I learn much more about why it is they want the key. The captain and I start working together. Let’s see, zombies are entering Portland, and also as far as the Adalind storyline is insane. And that’s all I’ll say about that!

To see whether Nick can fight the muse’s temptation and stay true to his love Juliette be sure to tune in for an all new episode of GRIMM on Tuesday, May 7^th at 10:00 p.m. on NBC.

Where to find this article:

 

http://www.thetvaddict.com/2013/05/07/grimm-scoop%C2%A0david-giuntoli-previews-what%E2%80%99s-next-big-wrinkle-in-the-nickjuliette-romance-and-the-2nd-season-finale/

 

 

Silas Weir Mitchell Talks the Wesen Code of Honor and Where the Rosalee/Monroe Relationship is Headed on GRIMM

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With the unsuspecting human world perhaps on the verge of discovering that Wesen live amongst them and the erupting chaos that would ensue, the precarious balance of secrets in GRIMM are set to topple.  In a recent press conference call, co-star Silas Weir Mitchell shared where he sees his character Monroe fitting into the GRIMM jig-saw puzzle of relationships and forces at work.  He also weighed in on the slowly blossoming Monroe/Rosalee romance.

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Can you give some hints as to what might be happening with Rosalee?
SILAS:  Well, Rosalee is back, which is delightful, and we sort of we hang out at the spice shop. There’s these different groups in the story. There’s the Grimms, although there’s really only one. Then there’s the Wesens. Then there’s subgroups of the Wesen. Then the Royals. Then there’s the Varrock. And there’s all these kind of forces at work. So Rosalee and I are sort of at the center of that. As far as romance goes, it’s a slow burn but there’s definitely an attraction there. Like we get something we need from each other for sure. We have both have a lot of similarities, and I think we’re both sort of damaged and we’re tip toeing towards the end of the diving board.

It has been fun watching Monroe try to run the spice shop while Rosalee has been away. Now that she’s back, will he continue to be involved in the business?
SILAS:   Probably. I mean I think it’s her shop, but it’s also group effort at this point.  I’m learning and she needs the help, and it’s a nice place to work. I think that you can probably count on seeing Monroe in the spice shop along with Rosalee a fair amount. It’s their little hideout.

Do we know if there is a Wesen code against interspecies relationships? Is that something that’s going to be discussed at any point in the show?
SILAS:  That’s a very interesting question, but I would have to say I don’t really know. I can’t say that we’ve discussed the rules surrounding that. I think that there probably isn’t because there’s a lot of us out there.  You just don’t know who we are. And if Blutbad always had to be with a Blutbad, I think that would be onerous.

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What’s the Wesen Code of Honor?
SILAS:  Well, it’s just that the Rule that you’re really not supposed to show your inner-self in order to take advantage of the normal people in the world. It’s immoral and it also could sort of tear at the fabric of reality for people. It’s a big no-no because it exposes too much of the way the world really works, and the Wesen have to behave a certain way and, f you go outside of that, you are in big trouble.

Now that the “cat’s out of the bag” and, Hank and Monroe will be spending more time together, will they develop a stronger friendship?
SILAS:  Yes, the three of us definitely start to have more time together.

Monroe is happier than when we first met him when he seemed a little more isolated. Do you think he’s happier Blutbad now in season two?
SILAS:    That’s very perceptive of you actually. I do think that Monroe is happier. I think that Nick has forced him out of his little cave and now he’s nosing around in the world. And I think its kind of fun out there.  Like he’s got a girlfriend and he has little adventures that he does with his weird pal, Nick. I think that the whole idea of doing good in the world — that’s how it wound up making sense to me — that he came out of his little world of clocks and maps and things and he was doing good in the world. And if it’s with a Grimm so be it. He’s not going to stand aside and let bad things happen just because Nick’s a Grimm. Because Nick’s a different kind of Grimm and I’m okay with that. And I think it’s nice to be able to behave and live in the world.

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Nick and Captain Renard are going to sort of an uneasy alliance going forward. How is that going to affect Monroe and Nick’s relationship with Monroe? Is he going to be sort of brought into that loop?
SILAS:   Yes, all I can say is that in the normal run of things Monroe wouldn’t necessarily be hanging out with the chief of police. And yet being one of Nick’s allies and having already met the chief of police not knowing he’s the chief of police when he came in to deal with his obsession — they’re a couple of moments where I’m in the precinct just because I’m helping Nick out or whatever. So, yes.

Out of curiosity, when Monroe turns into a Blutbad, is there anything that you as an actor has to do or is it all done by special effects?
SILAS: No, there’s definitely stuff that I do as an actor that involves a mentality shift and there’s a physical shift. The CGI is so advanced now that it follows along with your facial expressions. So if I have to say something, if I’m scared versus angry — because we morph when we’re under situations under which a Wesen will reveal himself, and one of them is aggressive and angry, purposeful morph – then if you’re really sad or scared or nervous, your inner-self will burst out because your guard is down. So in the event that you do it one way versus the other, you’re going to have a different aspect and the CGI is able to capture that. So it’s not just a big thing that goes on top of you and obfuscates your emotional life. It’s prime enough that it can see what you’re feeling.  It can react to your face.

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Other than Blutbad, do you have a favorite Wesen?
SILAS: I just like their names like the Volksdevil is one that’s coming up. I think he’s sort of Rumplestiltskin character. It’s just a fun name. I did like there was a bat creature that I really thought looked good — the Murciélago because that was not all CGI — that was mostly practical. When it’s practical and enhanced by CGI that’s really the best. Wen it’s 80% practical and 20% CGI it looks better than when it’s mostly CGI, in my humble opinion.

What have been some of your favorite fight scenes to shoot?
SILAS: I haven’t really had that many fight scenes. I kind of lunge and attack and it’s gets done with quickly because I dispatch whatever needs to be dispatched with rapidity. Last year the most sort of involved fight scene I was in was the cage fighting. That was pretty intense. We had a bunch of background actors kind of screaming and yelling and we were out in a barn way out in the woods. I mean it was pretty intense.

Is there some reason that you think that people keep coming to you for the kind of darker, more serious types of roles?
SILAS:  That’s a really good question and I think it it has a lot to do with physiognomy being a part of it. Just that I’m tall and dark and “glowering.” But my inner-life is sort of — that’s why Monroe is a great character for me — because my inner life is not like that. I just have access to it because I’m actor. We should all have access to everything. That’s what our job is to live in imaginary world. Whatever that calls for, we need to have an elastic inner life, an elastic imagination like an acrobat. So I don’t know. I couldn’t say exactly why except that I mean tall, dark, and once see me do it they go, “Oh, he can do it.” But as far as being on a madcap sitcom, I think Monroe is as madcap as it needs to get for me.  Monroe is really fun for me if Monroe is equally heavy duty. Like he’ll rip your head off. But also I don’t like violence so it’s really fun to live in that kind of inner special kind of world where it could go either way.  For with Monore, you never quite knowhow it’s going to go, which is what makes him fun to live in.

Monroe seems to get all the best lines followed by Sergeant Wu. Do you ever get to help the writers and contribute to that sense of humor? And do you enjoy that?
SILAS:  Yes, I do. I do enjoy it very much. Monroe is a really fun mind-space to live in. And he does get very fun lines. The only way I could say that I help the writers is if I happen to catch some minor inconsistency that is the type of thing that actors always find because we dive all the way into it, and writers can only go so deeply into each characters narrative. I used to pester the writers in the first season.

Why do you think audiences are drawn to these supernatural shows?
SILAS:  That’s an interesting question. I think people enjoy being scared and I think that’s part of what’s fun about GRIMM is.  That we continue to try to make every episode have something in that. That’s either going to make you jump or turn away or close your eyes and look through your fingers. So I think people enjoy that. That’s why horror movies are big business. As far as the supernatural thing goes, it’s just there’s a certain segment of the population and there’s a certain type people call them genre stories. There’s always going to be a type of storytelling that allows a person (both the writer and the reader or the creator and the spectator) to paint with a broader brush in a way and imagine the world in a way that it could be but we don’t see it as being that way.  I think that’s exciting for people to operate from.  Just the premise that the world is slightly other than what we see. It’s still recognizable, but it’s other. I think that there’s always going to be a segment of the population that wants to experience that type of reality as opposed to something that’s just taking place like a lawyer show or a hospital show. There’s always going to be people that want to imagine the world as slightly tweaked.

To see more of the challenges facing Nick, Monroe and all our heroes in GRIMM, be sure to tune for all new episodes on Friday nights at 9:00 p.m. on NBC.

Where to find this article:

 

http://www.thetvaddict.com/2013/03/22/grimm-gossip-silas-weir-mitchell-dishes-on-the-wesen-code-of-honor-and-where-the-rosaleemonroe-relationship-is-headed/

 

 

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Shining the Spotlight on Reggie Lee of GRIMM

In a series where things that go bump-in-the-night are truly terrifying, GRIMM showcases what life would be like if supernatural beings lived amongst us on only the special few could see them. Yet not all of them are big, bad scary creatures. In an exclusive interview, co-star Reggie Lee talked about whether or not his character Sergeant Wu is part of that supernatural club, who he is rooting for in the love triangle between Nick (David Giuntoli), Juliette (Bitsie Tulloch) and Captain Renard (Sasha Roiz), and what kinds of excitement the remainder of Season 2 promises for viewers.

So what’s coming up on GRIMM? We’re dying to find out!
REGGIE: Can you believe it’s been three months?! We’re going to come back and everything is going to come to a head in the first episode. The Captain finds the trailer, the Captain and Nick finally confront each other, things go on with this crazy love-triangle, and Wu is first on the scene. When am I never the first on the scene?! I think Wu just never goes to sleep. So when Wu arrives, there are literally cracks on the wall at Nick and Juliette’s place. And there are things that happen that you’ll just have to tune in to see. There are alliances broken. There are alliances formed. Relationships go awry. Rosalee (Bree Turner) is back. Yep, we’ve got the girls in town. So it’s no longer an all-dude show. Bitsie loved it that way. She loves being the only girl, but now she’s got some good company. So the first episode coming back is pretty ridiculous. I think they threw everything in the pot and decided to stir it up.

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Just from your perspective, do you think Juliette should be with Captain Renard, or should she be with Nick?
REGGIE: I’m so old-school. I think Juliette and Nick have something really special. It’s that whole question between passion and stability, and we wish we could have them both. I think Juliette’s a smart gal. I think she’ll figure it out. But it provides for some very interesting storyline going forward one way. I don’t know how it would go the other way, but I’m sure they would form some interesting storylines around it. But, boy, if she got together with the Captain, I’d say that would be very volatile. My poor friend, Nick. But I vote for that. As to what’s going to happen, you’ll just have to wait and see.

Wu may be first on the scene, but he kind of plays it safe. We don’t see him in the action very much. Are we going to be seeing him in some choreographed fight scenes?
REGGIE: (Laughs) I think I’ve already had some choreograph fight scenes performed on me. There’s been some episodes, these past few, where questions have arised like, “Reggie, how are you with heights?” Things like that. There’s been some pretty nutty things that we’ll get into. It’s interesting because in the next couple of episodes, the question has always been, “When is he going to find out?” I can’t wait to see how he reacts when he finds out. I think that question — well, here’s one thing I can tell you, he does see a Wesen in the next few episodes. I see them in their true form. As to how he reacts to that, you’ll have to see for yourself.

That’s always been a big question, why Wu never reacted to any of the other Wesen were around. He just seemed oblivious.
REGGIE: He doesn’t see them. They don’t show themselves to him. But you’ll have to see with this one. It’s coming up in a couple episodes. I also think there has to be a great deal of balance required on the show and who knows when they are going to play with that balance and they have already started futzing with it in terms of who knows and who doesn’t know. I think it would be kind of dangerous if everyone knew and not as much fun. Now that’s me speaking as Wu. If I were speaking as the actor, I’d feel like, “Dammit! Let me in on the action. How come I’m not invited to the party?”

He usually is. He just doesn’t know what’s going on.
REGGIE: I know! I think that’s the fun part of it. I like to play him so much because he has a sarcastic sense of humor, which came about with great collaboration with the writers. They really just brought about this character and together I think we brought him to fruition. He’s kind of oblivious, but only because he’s so into achieving and into his own thing and into being the best — and into pulling his one-liners. I think if he found out, it would take a little bit of coaching to accept it.

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Were you surprised how comedic the role became opposed to just being a dramatic role?
REGGIE: Yes. It’s interesting ’cause I heard Edie Falco talk about this once, she said, “I don’t consider myself comedic actor at all.” Yet I think she’s won several Emmys now for it. So I think if the writing is good and I think if you believe in the craziness of what’s going on, really throw your heart and soul in it, if it’s written funny, it’s going to be funny. And we really evolved this out of one line that came out of the pilot and I thought, “There’s something really sarcastic about this guy.” And sarcasm usually stems from insecurity. The reason people are using sarcasm is usually because they are insecure. But there is something very endearing about Wu’s sarcasm because he’s been doing it for so long. So as soon as I kind of hooked into that, the writers kind of hooked into me, and we just started forming this crazy, wacky character. People have started dissecting that one or two episodes where we saw Wu’s apartment and been focusing on what was in the apartment to try to figure Wu out. I think that’s kind of cool. I think especially with this show, like with Monroe — Silas Mitchell, bless his heart, is so brilliant — you have to have some lightness. Because it is such a creepy dark show that there has to be some humor in it. I think that bodes for the best sci-fi and the best horror. It reminds me of Sam Raimi and that kind of thing where it’s really scary creepy and then suddenly you start laughing out loud. But I am surprised, and pleasantly surprised, with that. That this character has evolved the way that he has. I enjoy playing him so much and I get so much response from people who are fans that appreciate this character a lot. We were at Comic-Con and it was interesting ’cause a bulk of the episodes centers on Nick and Hank (Russell Hornsby) and Monroe, and it was interesting how the fans all had an appreciation for every character and what they brought to the show. It’s a really well-rounded show, but I am over the moon with the way that my character has evolved. I love it.

Has the show ever told what kind of Wesen that Wu is?
REGGIE: Is he a Wesen? How did you come to that conclusion?

From the poisoned cookies that he ate and all the stuff he consumed that would have killed a normal person.
REGGIE: That was only due to the curse that Adalind (Claire Coffee) put on the cookies.

So Wu may not be Wesen?
REGGIE: He may not be. (Laughs) That was only due to the cookies and the curse she put on them. There were definitely a lot of people that had questions about that and they were like, “Would he react like that? Would a human react like that?” But it was a reaction to the curse, as far as I know right now. There are several things that come up in other episodes that may suggest differently, but as far as that episode is concerned, there is nothing about Wu being Wesen. But you never know, anything can happen on this show.

They like their little surprises, don’t they?
REGGIE: That’s what kind of scares us. The scripts are coming so fast and furious and I just leaf through them thinking, “Wow.” We don’t know what twists or what turns the show is going to take. And Sergeant Wu is what they call the wild-card of the show, so they could take him in any direction. Which is kind of fun and nerve-wracking at the same time. (Laughs)

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So how much is Wu aware of what is going on with Adalind? Does he have an awareness that she is bad news?
REGGIE: She’s back! The bitch is back. (Laughs) Claire’s fantastic at it. She’s a sweet little person and then she just becomes this completely different person on television. Adalind stirs things up more than anyone on the show. I can tell you that much. She will stir it up and this time she stirs it up pretty bad. She gets pretty much everyone involved. And there’s a lot going on with her. So she’s back in town and she’s out for her revenge. And she’s going to do it little by little, and as much as it hurts. It hurts more that way, I think.

Will Wu remain unscathed? Will he stay on the sidelines there?
REGGIE: Oh, he’s not on the sidelines at all. I can’t tell you whether he finds out or not, but I can tell you that he’s right in the midst of the action.

So Wu may be taking on Adalind and maybe picking some sides or alliances and we’ll be seeing if he’s Wesen or not. Sounds like we’ve got some big stuff coming up with Wu.
REGGIE: Yeah, it’s interesting because they divvy it up really well with the characters all throughout the season, and there wasn’t a lot going on with Wu in the beginning of this season. So now it’s becoming a little heftier towards the end of the season.

Knowing what you now know, how would you describe Wu in one word?
REGGIE: One word? Wow, that’s a tough one. The first word that instinctively comes to mind is: quirky. He is a quirk in the show. Well, Monroe is very quirky too. So there’s a lot of quirks to be discovered with Wu. You know all the quirks about Monroe. But there’s a lot of quirks left to be discovered about Wu and it’s coming up.

Are we going to be seeing Wu and Monroe interact a little bit coming up? They always seem to be off to the side of each other in scenes.
REGGIE: They do, but you’ll see them interact once in awhile in these last few episodes. Absolutely. Silas and I are always over-joyed when we work with each other. You know, rarely is the whole cast together, but there’s definitely one scene where we were all together. It’s interesting ’cause I’ve known Silas the longest, because he and I did PRISON BREAK together and then he and I also studied with the same acting coach for the past 10 to 15 years. So we’ve been in acting class together the whole time. So it’s kind of cool that we’re on this show together. And you’ll see Monroe and Wu interact in these next few episodes.

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Did either one of you have a hand in getting the other on GRIMM?
REGGIE: No, but what’s interesting though is that Silas knew one of the writers/creators on the show. So Monroe was pretty tailor-made for him. I am sure they saw some other people, but he had it in the bag and he’s so good at it. And I came into it — I actually had auditioned for the part of Hank, and it came down to Russell, myself and another guy, and 10 minutes after that audition Russell got the call, and I’m so happy ’cause he’s so great at it. Then 10 minutes after that, my agent got a call that said, “I haven’t cast Reggie, but would you be interested if I wrote a role for him?” And I thought, “Would I be interested?!” At that particular time I was testing for other shows, and I was so done with it. It’s not fun. So I thought, “These are great guys. I loved the script. I love the people that are involved.” So I had them pitch me a story or what was going to happen with this character and I just jumped on it. And since then, I think they created a pretty wonderful, special quirky character. I love him to death. So I can’t wait to see what is in store for him.

If you can say, what has been the funnest thing you’ve found out about Sergeant Wu?
REGGIE: That he is comfortable with his humor. ‘Cause I’m not! (Laughs) I’m not a funny person. I really am not a funny person and everyone is going, “Yes, you are.” This is the show where I’ve kind of found my fun and it is so funny ’cause when we’re filming scenes, it’s a regularly written scene, and David Giuntoli is going, “Wu, find the funny. I know Wu is going to find the funny.” That has been the great thing: to play a character that is comfortable with his sarcasm. I love that.

There is a certain confidence about it. He just says it and gets away with it.
REGGIE: Yeah, he just says whatever it is. He has nothing behind it. He just says it. He’s used to doing that. I love that.

Have you pitched to the writers that they should create a book of Wu-isms?
REGGIE: (Laughs) It’s interesting ’cause something they will say, “Can you Wu-ify that?” I’ll say something and they’ll go, “Can you Wu-ify it?” and I say, “Sure.” But they have made up so many Wu-isms that there’s a Wu dictionary now. They’re all Wu-liners. So it’s been fun. And it’s been more than a blessing. I’ll tell you what, this has been a fun ride. And you guys that write about it and support us, have been amazing.

To see more of the wonderful world of Wu and to see whether he joins his co-workers in the Wesen world, be sure to tune in for all new episodes of GRIMM on Friday nights at 9:00 p.m. on NBC.

Where to find this article:

 

http://www.thetvaddict.com/2013/03/15/grimm-gossip-star-reggie-lee-previews-whats-in-store-for-fans-of-the-hit-friday-night-series/